Midwinter Fiona Melrose 9781472151773 Books
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Midwinter Fiona Melrose 9781472151773 Books
It's hard to believe this is a debut novel. Fiona Melrose is a word artist, drawing us into the core of Land and Vale's world, reaching deep inside us for empathy and understanding. For how can we understand a world such as theirs, full of interminable grief, loss, anger and bitterness?Land and Vale are father and son, each dealing with their own version of hell while living together yet alone in their own sadness. So, what is it about this book that's so uplifting? Is it Fox? Is it Pup? Is it Dobbler? Is it the Suffolk surroundings? The fervent hope that something surely has to go right for these two, both fine men struggling to bridge the chasm created by Cecilia's brutal departure from their lives?
Fiona Melrose's Midwinter is an enchanting read.
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Midwinter Fiona Melrose 9781472151773 Books Reviews
This is a stunning book. It's a study of a father-son relationship writtten with astonishing insight and power. The language, imagery and sheer atmosphere is utterly mesmerising. What an incredible achievement. Cannot wait for Fiona's next book.
Midwinter is like nothing I've read in a long while. It felt a bit like there was no beginning and no end to the story, more like the author chose a period of time in the life of the main characters and told their stories during that time. This is something I found really interesting at the beginning of the book getting to know Vale, his father, and his best friend, trying to understand their actions and their feelings. But as the story progressed and you knew about their past, I kind of lost interest in them.
Midwinter has an undercurrent of sadness during the whole story that didn't help me warm up to the characters. I cared about them and wanted a better life for them but it was difficult to really connect with them. Probably because they didn't even know how to connect with each other themselves. The atmosphere between father and son was always weird, charged with guilt and resentment and I just wanted for them to sit with each other and talk.
One thing I found quite fascinating in this story though was its evocative power. The description of places, nature and its fauna, were generous and detailed. I could easily picture the plantations in Zambia and the farm in Suffolk. But as I said, I didn't really connected with the story itself. It's well crafted and interesting enough, and I really thing it conveys grief and guilt really well but I found it a bit boring at the end, so I have a bit of a mixed opinion on this one.
Great read.
A magnificent study of love, nature, the bond between father and son. Beautiful, poetic, moving - I look forward to her next book.
This is a wonderful debut, with characters who linger in your mind long after you've put the book down. It is a little slow to start, but keep going and you will be introduced to complex characters, and a steady paced work exploring grief and families, and how we survive. There's a real gentleness and care to how the story unfolds and the past intersects with the present.
I'm very excited to read more of the author's work!
Midwinter is a slow crawl and is only occasionally dotted with exemplary passages.
Vale is perhaps the most complex character, though that word is employed lightly. Cecelia's death appears to have had the greatest impact on him, as he was only a boy when she died. He is plagued by injurious thoughts subsequent to his unprocessed feelings of loss and longing.
Despite the weighty subject matter at the heart of this book - a husband lamenting the death of his wife, a devastated son grieving the loss of his mother - both Landyn and Vale lack emotional depth. Their plight is experienced on a surface level; their story fails to tug at heartstrings. Their shifts in emotional stability are sudden and happen without preamble, such that they feel unjustified and out of character.
With so many underdeveloped subplots, it's difficult to discern where the author wants readers to focus On Vale and his best friend Tom, who are at odds while Tom recovers from a catastrophic physical injury; on Vale and his father tiptoeing around the subject of Cecilia's death, trying to learn how to talk to one another; on Landyn and his obsession with injured animals; on Landyn and his fixation with a fox living in the wood, a fox he suspects embodies the spirit of his deceased wife; on Vale and the dangerous course of action he considers in order to diminish his grief? While all of these subplots achieve a sense of closure, the narrative drifts at a casual pace to each conclusive moment, all of which arrive without impact.
The book has a startling number of typos (for example, using the word quite instead of quiet or too instead of to), and some sentences are structured with puzzling phrasing.
"It was no use, I knew she had already decided I was an old duzzy whoop and young boys up to no good and had what they had coming to them."
Told in alternating perspectives, Midwinter is a repetitive, superficial story of a family in crisis that reaches a limp conclusion.
It's hard to believe this is a debut novel. Fiona Melrose is a word artist, drawing us into the core of Land and Vale's world, reaching deep inside us for empathy and understanding. For how can we understand a world such as theirs, full of interminable grief, loss, anger and bitterness?
Land and Vale are father and son, each dealing with their own version of hell while living together yet alone in their own sadness. So, what is it about this book that's so uplifting? Is it Fox? Is it Pup? Is it Dobbler? Is it the Suffolk surroundings? The fervent hope that something surely has to go right for these two, both fine men struggling to bridge the chasm created by Cecilia's brutal departure from their lives?
Fiona Melrose's Midwinter is an enchanting read.
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